Some days one idea catapults into another, with the result that the sublime slams headlong into the ridiculous, producing a flaming nonsequitur of a blog post. Today is one of those days.
I read that on September 13, 1501, Michelangelo began carving what is perhaps his pièce de résistance, the 17-foot marble sculpture of David, the Renaissance ideal of perfect humanity. And I remembered the day we saw
We, eight of us, were on a loopy road trip through Europe, meandering through the Italian Alps, north toward Switzerland and Austria and Germany, then back south to Rome. We spent one hot, crowded night in a hotel in Firenze (Florence), two adult bodies crowded into each twin bed in our cramped quarters—but we were grateful that we had found a room at all. We were also grateful that in Italy, there seem to be no mosquitoes—for we were able to throw open our window onto the courtyard and let the night air gradually cool us.
We attended Mass in Italian and Latin at Firenze’s glorious Duomo, and my adventurous and energetic husband climbed to the top of the adjacent Baptistry…. but I digress.
First, The Statue.
Michelangelo was only 26 years old when he was awarded the commission to sculpt the Old Testament figure, and he worked on it for three years. Some critics think the work depicts David in the moment between conscious choice and conscious action: He has made the decision to fight Goliath, but the battle has not yet taken place.
The statue’s proportions are noteworthy: The hands and head are unusually large—a feature which some critics believe was intended to emphasize man’s capacity for thought (hence the large brain) and work (hence the large hands). The genitals are, by comparison, smaller—evidence that David was not allowing himself to be ruled by the passions. He is uncircumcised, which would have been unacceptable in Judaic culture but was the norm in Renaissance art. The right hand is larger than the left, perhaps implying that the “right hand of God” helped David to slay Goliath.
I say we “almost” saw the statue because we did at least give it the old college try. In recent years, in an effort to protect the porous Miseglia marble from the elements, the statue has been enshrined at the Accademia Gallery in Firenze. The problem was that when we arrived at the gallery on a rainy Italian morning, there was a long line and a two-hour wait for admission. Two hours is just too much time to waste when you’re on a whirlwind two-week tour of Europe; so we settled and instead checked out the authentic replica which glares at tourists in the Palazzo della Signoria.
And now, The Toilet.
Near the entrance of the museum were the public restrooms. I think the men’s was conveniently located on the main level; women, however, had to stand in a long line on a staircase to a lower level. As we were heading off to explore the town, it seemed a good time to make a stop—so I waited in queue with a hundred other ladies, most waving their arms and speaking in animated Italian.
As we neared the lower level, one thing struck me: At intervals of maybe two or three minutes, I’d hear a woman scream and break into uncontrolled laughter. “What the…?” I wondered.
And then I reached the restroom, then the stall—and I heard myself scream, then break into uncontrolled laughter.
Let’s take a step back: All of Europe is an adventure in bathroom innovation and ingenuity. One sits or straddles or stoops. One flushes by means of a floor pedal or a ceiling pull cord or a wall lever or a tank-top push button, or two push buttons (for #1 or #2). Sometimes a self-cleaning toilet seat scrubs itself, or a seat motor pulls a fresh plastic sleeve around the seat, readying for the next customer.
But I was unprepared for THIS!
I hadn’t carried the camera into the stall, so I’ve gotta tell you about it:
- Imagine a large white porcelain oval, about the size of your bathtub—maybe six feet in length.
- Angle it so that one end of the oval is about eight inches from the floor, and the other is elevated perhaps 20 inches.
- Cut a hole in the center, which drops deeply into a vertical pipe.
- On either side of the hole, add two serrated, non-skid footprints.
- Figure it out.
The objective, ladies, is to remove all one’s cumbersome clothing like slacks or panties; then bravely step forward, climbing this contraption and assuming a confident squatting posture. After successfully maneuvering and completing one’s morning constitutional, reverse the procedure—backing down, stepping off, getting dressed, and heading out to enjoy an espresso at an outdoor café.
Travel: It’s not for sissies.